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by David Roelofs  4/20/18

Well, it’s been a while since I’ve posted, so I thought I’d take a few minutes to catch everybody up.  First of all, I’d like to welcome all of my new followers!  Thanks for following, and I hope you find something of interest.

I’ve been quite busy lately building up my stock for an upcoming Farmer’s Market in Norfolk, CT.  The address is: 19 Maple Ave, Norfolk, CT (front lawn of Town Hall). I am currently signed up for 2 weekends; May 19, and May 26, so if you happen to be in the area on these dates, please stop by and say hello.  I’d love to meet you, and you can take a look at all of my available art up close!

I pulled out my pop-up tent and checked it out for damage, as it has been in storage for the past several years.  I purchased an 8′ table for display, but I still need to build some steps to display items in multiple tiers on the table.  I also need to devise some way of hanging my art along the sides of the tent; I’ll probably end up with sheets of peg board suspended from the tent frame; we’ll see.

As you may know, I work in several mediums; pyrography, pen and ink, graphite, charcoal, airbrush and water colors, but what you may not know, is that I’ve recently began experimenting with pastels. I purchased a set of soft pastels (sticks) and a set of pastel pencils for detail work.

I’ve been experimenting with toned and textured papers, looking for what works best for my type of work.  I definitely like the toned papers, both gray and tan, however these papers are smooth, and quickly lose their tooth as it fills with medium.  Textured paper on the other hand, can hold much more medium as it resembles very fine sand paper, and thus allows for the addition of many more layers of medium well after the smooth papers fail.  Textured paper is available at a cost, but I have experimented with making my own by utilizing Gesso and pumice dust,  The Gesso is thinned with water and the pumice is thoroughly mixed in and applied with a roller.  This worked well, but I found it to be a bit coarse.  Using Gesso alone produced a satisfactory texture, but more experimentation will be required.

Well, that about all for now.  I’ll try to post a bit more often as time permits.  I’ll be sure to post about the Farmer’s Market in May.  Hope to see you there.

Here are my latest pastel artworks:

We Did It! Featured

4 Blue Ribbons!

 

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Jack Polak

Jack Polak-1

 

 

 

 

 

 

 

 

 

 

 

Well, it’s fair season again, and I gathered up some of my best work from this past year and entered my first fair of 2017, this past weekend; the Goshen Fair in Goshen, Connecticut.  Pictured here are my four entries.  They all received blue ribbons, but I was quite surprised to see “The Best of Show” Rosette on the “Jack Polak” pen and ink portrait.  If anything, I would  have expected it on “The Paris Street Pilot”; a much more detailed portrait than the former.  In fact, I almost didn’t enter the Polak portrait!

There is an interesting story behind Jack Polak. He and his estranged wife were both imprisoned in a Nazi death camp during WWII, and while there, Jack befriended a young woman named Ina Soep, and fell in love with her.  They maintained contact through little notes, hastily scribbled on slips of paper.  Oddly enough, Jack’s wife was completely aware of the affair, and condoned it.  Jack and his wife divorced after the war and he and Ina were finally married and remained together thereafter.  They even made a movie about their story called, “Steal a Pencil for Me”.

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Paris Street Pilot

“The Paris Street Pilot” was done in graphite, and a fun portrait to do.  He has such an interesting face that shows so much character.  At first glance, he appears to be an elderly aviator,  but upon closer examination, you can see that he’s not a pilot at all; but rather a “street pilot”, or more appropriately, a hippy biker.  I did another version of him a few years ago; also in graphite.

File Jun 08, 10 06 59 PM

 

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Migrant Mother

Next, is another one done in Graphite.  I felt moved to do this sketch of the “Migrant Mother” from the famous depression era photo by Dorothea Lange.  The woman’s name was Florence Owens Thompson.  When the photo was taken, she explained that she had just sold the tires from her car to buy food.  They had been living on frozen vegetables found in the fields, and birds that the children had killed.  This photo among others, helped to bring the plight of the migrant farm workers during the Great Depression to the attention of the United States Government.

 

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Braveheart

“Braveheart” was a little different. This one was a pyrography piece, (wood burning).  I burned the image onto thin plywood, and even the mat was made of wood.  An ornate frame completes the package.  This one took me about two months to complete, as pyrography take much longer than pencils or painting.

Braveheart depicts William Wallace, national hero of Scotland, made famous, recently in a film by the same name, starring Mel Gibson.

 

What’s Next?

Next weekend is The Bethlehem Fair in Bethlehem, Connecticut.  They only permit 3 entries per exhibitor, so one of these will need to be omitted.  I think I’ll leave “Jack” home, this time.  He’s had his 15 minutes of fame.  Let’s see how the others do this time.  Stay tuned next week to see how we do in Bethlehem.

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